Wherein I somehow manage to weave together wine blogging, wine bloggers, and print wine journalists with Weird Al Yankovic, Mark Twain, Fenimore Cooper, Leslie Marmon Silko, and Christopher Walken…
“I may be mistaken, but it does seem to me that “Deerslayer” is not a work of art in any sense; it does seem to me that it is destitute of every detail that goes to the making of a work of art; in truth, it seems to me that “Deerslayer” is just simply a literary delirium tremens.
“A work of art? It has no invention; it has no order, system, sequence, or result; it has no lifelikeness, no thrill, no stir, no seeming of reality; its characters are confusedly drawn, and by their acts and words they prove that they are not the sort of people the author claims that they are; its humor is pathetic; its pathos is funny; its conversations are — oh! indescribable; its love-scenes odious; its English a crime against the language.
“Counting these out, what is left is Art. I think we must all admit that.” Mark Twain commenting on Fenimore Cooper’s literary novel, The Deerslayer.
There’s a bit of a controversy brewing over a couple of the panels and sessions at WBC.
And yes, print wine writers on more than one occasion accused online wine writers of various “#wordcrimes” to cite Weird Al.
One panel in particular, the one with three white male print panelists and moderated by Taylor Eason, has drawn a rant from Mary Cressler that has produced livid comments where she has posted it on Facebook as well as on her blog post. Continue reading